歐洲時報本篇文章7778字，讀完約19分鐘
王云仙,河北人,1958年生,中國著名書畫家,國禮藝術家。2020中國當代優秀人民藝術家,中國書畫家聯誼會會員,中國書畫家聯誼會藝創中心主任,中國書畫家聯誼會新文藝群體書畫家工作委員會特聘書畫藝術家、會員、理事、副秘書長,中國民族建筑研究會書畫藝術專業委員客座教授,中國楹聯學會書法藝術研究會副秘書長,中國國土書畫研究院執行院長,中國互聯網聯盟主編,CCTV特別推薦藝術名家。2020年中國互聯網聯盟對華人藝術領袖王云仙獨家全球性新聞報道《筆墨歌盛世 丹青繪華章》。
Wang Yunxian, born in Hebei Province in 1958, is a famous Chinese painter and painter and a national ritual artist. 2020 Chinese outstanding contemporary people artists, members of Chinese Calligraphers Association, directors of Art Creation Center of Chinese Calligraphers Association, special artists, members, directors and deputy secretary-general of painters working committee of new literary groups of Chinese Calligraphers Association, visiting professor of national architecture institute of china Painting and Calligraphy Art Committee, deputy secretary-general of Calligraphy Art Research Association of China Couplets Association, executive director of China Land Painting and Calligraphy Research Institute, editor-in-chief of China Internet Alliance, and famous artists specially recommended by CCTV.
席地書寫毛主席《沁園春·雪》長6米寬2米
離職后,專門研究中國書畫藝術,創辦王云仙書畫藝術館、福壽堂、中華始祖文化研究院。
After leaving, he specialized in Chinese painting and calligraphy, and founded Wang Yunxian calligraphy and painting art museum, Fu Shou hall and Chinese ancestor culture research institute
王先生早年在津門書畫家張兆豐門下學書畫。曾受李鶴年、龔旺、慕凌飛、王淑輝的言傳。
2019年6月受邀參加中國書畫家聯誼會新文藝群體書畫家工作委員會在北京會議中心舉辦“明德引領風尚揮毫抒寫時代——慶祝建國七十周年新文藝群體書畫家座談會”。
In his early years, Mr. Wang studied calligraphy and painting under Zhang Zhaofeng, a calligrapher and painter in Jinmen. He was once described by Li Helian, Gong Wang, mu Lingfei and Wang Shuhui.
In June 2019, he was invited to participate in the new literature and art group calligraphers and painters Working Committee of the Chinese Calligraphers and Painters Association to hold the "Mingde leading the fashion, expressing the times with great vigour - Celebrating the 70th anniversary of the founding of the people's Republic of China".
左右手雙筆同書《壽》
由于工作緣由,書畫作品面世少。其左右手同書、反正書、盲書作品部分高級首長家皆有過收藏,王先生被稱贊為“雙天官”書壇奇人;雙手同書作品、榜書作品中央電視臺、教育電視臺現場直播過;還有些作品曾選登在中紀委廉政掛歷上;被當作國禮送給異國要員的作品如“友誼長存、龍行天下、騰飛”等也不在少數;其它作品有些雜志上亦有登載恕不能盡例。雖然如此,王先生說“決不入江湖之流,做學生,苦讀勤學是為本,旨在為人民服務,為發展中華文化而奮斗”。
Because of the work reason, the calligraphy and painting works are few. Some of his works were collected by senior officials. Mr. Wang was praised as a "double heaven official" in the book circle. His works, including the works with both hands and the list books, were broadcast live by CCTV and ETV. Some of his works were selected on the anti-corruption calendar of the Central Commission for Discipline inspection. His works were given to foreign dignitaries as a national gift, such as "friendship lasts forever, dragon travels all over the world" There are also many other works published in some magazines. Nevertheless, Mr. Wang said that "never enter the stream of the rivers and lakes. To be a student, to study hard is to serve the people and strive for the development of Chinese culture.".
左右手雙筆同書《花好月圓》
書法有篆隸楷行草五種基本形體,這是大約的分法。如果從個性的角度來講,書法的創作有無限可能,只要做到智巧兼優,就可以把書法形態寫得豐富多彩。書法家王云仙創作書法就是智巧兼優的表現力!富有個性,有一些寫法別人未必琢磨得透,學得成!
王云仙創作書法的過程和結果,都有令人稱奇的地方。當然,稱奇之前,必須承認王云仙的書法無論如何去創新,都不會走背離碑帖的江湖路。換言之,善于書法創新的王云仙,傳統書法的底子非常厚實,他的書法諸書皆作修養,博涉多優!尤其篆書、隸書、行草書都有嚴謹的法度,取法都作上乘選擇。篆書師嶧山,隸書師十碑,行草以書譜、十七帖為法本,善于在一點之內殊衄挫于毫芒,可以在一畫之內變起伏于鋒梢!執筆落墨,有力量有速度!力則可以透紙背,有入木三分之功。速可以寫驚雷馳電,作龍跳天門之姿!
如果王云仙僅依傳統書法的修養成績,也足讓人心生折服!只是他的書法眼界高興趣足,書性又有超人資本,所以并不愿意就此拘泥在已有的書法成績!而是在書法的創作方式上有了很大的創新努力!其一是左右手同時寫書法,一心不可二用?王云仙突破空間思維的這種限制,雙手執筆左右開弓,寫出的雙福作品,鏡象完美而不失筆墨法度,形神兼備就是智巧兼優的證據!這說明他創作書法,不但有線條塑造的嫻熟技巧,還有空間結構的超凡謀策!
其二是反正書!一件篆書或是隸書作品是正姿態,而題跋或是落款卻可以遂手應手地寫成反向書跡!正姿態的字寫得正大氣象,反向字跡飛儀灑脫!如果透光而觀,仍舊是正向書法的正大氣象!一反一正就是陰陽相生的意象,不但具有強烈的對比審美效果,也有獨特的哲學味道。其三是盲書,盲目只是目不視之,而是心可作筆,稱為盲書,心則不盲!唯有把書法練到百乘熟,才可以在“盲”的狀態下,讓心智全程透徹地介入到書法創作中,然后讓書法呈現的結果就是心跡的映像!所以他的盲書并不是膚淺的書法雜耍,而是對“心入書”的理論,進行的有成效的探索!
王云仙的書法根子牢牢地確立在碑帖之上,又有創作奇能可以變化出富有個性的創作形式?；趥鹘y書法功夫而做出的創新,就如飛上天的風箏姿態萬千,總是會有一根正宗的線在起絕對控制,創新不失根本,這就是王云仙書法可作嚴謹的水準!
Calligraphy has five basic forms: seal script, script and cursive script, which is roughly pided. From the perspective of personality, there are infinite possibilities for calligraphy creation, so long as you are smart and excellent, you can write rich and colorful calligraphy forms. Calligrapher Wang Yunxian's calligraphy creation is the expressive force of wisdom and ingenuity! Rich in personality, there are some writing methods that others may not be able to understand and learn! The process and results of Wang Yunxian's calligraphy creation are amazing. Of course, before marveling, it must be admitted that Wang Yunxian's calligraphy will never deviate from the inscription. In other words, Wang Yunxian, who is good at calligraphy innovation, has a solid foundation of traditional calligraphy, and his calligraphy books are all self-cultivation, and his knowledge is excellent! In particular, seal script, official script and cursive script all have strict testimonies, and all of them make excellent choices. Seal calligrapher Yishan, official calligrapher's ten steles, cursive script based on book score and seventeen posts, are good at falling down on the millimans within one point, and can change the ups and downs of Feng Yu tips within one painting! Writing ink, strength and speed! Force can penetrate the back of the paper, and has a third of the work. Speed can write thunder and lightning, and make the appearance of dragon jumping heaven! If Wang Yunxian only relies on the accomplishment of traditional calligraphy, it will also make people feel impressed! It's just that he has high interest in calligraphy and superhuman capital, so he doesn't want to stick to his existing calligraphy achievements! But has made great innovation efforts in the way of calligraphy creation! One is to write calligraphy with both right and left hands at the same time? Wang Yunxian broke through this limitation of spatial thinking, and wrote Shuang Fu's works with both hands. The mirror image is perfect without losing the brushwork, and the combination of form and spirit is the evidence of wisdom and ingenuity! This shows that when he created calligraphy, he not only had the skillful skill of shaping lines, but also had the extraordinary strategy of spatial structure! The second is anyway! A seal script or official script is a positive gesture, but the inscription or inscription can be written as a reverse script! The positive gesture is written in a decent way, and the reverse handwriting is free and easy! If you look at it through light, it is still the positive atmosphere of calligraphy! Contradictions and rightness are the images of yin and yang, which not only have a strong contrast aesthetic effect, but also have a unique philosophical taste. Third, blind books, blind is just blind, but the heart can be a pen, called blind books, but the heart is not blind! Only by practicing calligraphy to a full degree can the mind be thoroughly involved in calligraphy creation in a "blind" state, and then the result of calligraphy is the image of the mind! Therefore, his blind book is not a superficial calligraphy juggling, but a fruitful exploration of the theory of "the heart enters the book"! Wang Yunxian's calligraphy roots are firmly established on the rubbings, and his creative talents can change the creative forms with rich personality. Innovation based on traditional calligraphy kung fu is like a kite flying into the sky with thousands of postures. There will always be an authentic line in absolute control, and innovation does not lose its roots. This is the rigorous standard of Wang Yunxian's calligraphy!
中國書畫家報主編 徐麗媛
2020年12月6日
Xu Liyuan, Editor-in-Chief of Chinese Calligraphers
December 6, 2020
左右手雙筆同書《洪福雙至》
《風寒出農 魚雁澤初》
《業精于勤荒于嬉,行成于思毀于隨》
《同根》
《國色天香》
《道德文章家國事 江河華岱畫書源》
《威風凜凜》
《中華牡丹真國色,雙鵲爭喉唱太平》
左右手雙筆同書《國泰民安》
篆刻作品《國泰民安》 長25cm,寬25cm,高16cm
《虎•清平世界》
《岳陽樓記》
